My friend Graham is a wonderful man – kind, funny and endlessly patient. But when he was younger, he had one flaw, which was using other people’s work without permission or payment. He once got in trouble with Getty Images for taking one of their photos from Google Images and using it for his company’s website. And when he came to design the Atheist Bus Campaign posters, he used the font without paying for it.
And so, one day in 2009, I got a message from an American man from Denver, Colorado called S. John Ross. He had created the font we’d used, Dirty Headline, and told me ‘The font was free for private use only. The side of a bus is not very private!’
Now, approximately 75% of Americans are religious. I could have had the misfortune to have unknowingly misused the font of a Christian fundamentalist, and been sued for a pretty penny as a result – after all, this font had been used in campaigns in 13 different countries around the world, as well as being plastered all over the national and international press and endless Atheist Bus Campaign merchandise!
Luckily, S. John Ross was a very reasonable and generous man, and described himself as an ‘agnostic humanist’. I was skint as I’d been editing a charity book called The Atheist’s Guide to Christmas for free for six months. At my request, the publisher HarperCollins (who were using the font on the front of the book) paid S. John £500 for the privilege. I remember his invoice to them featuring the Bill and Ted quote ‘Be excellent to each other.’
S. John and I kept emailing, giant six-page-long emails (if emails had pages), and soon became firm friends. He told me how much he loved his wife, Sandra, and I told him I wished I could find someone who would feel the same way about me as he did for her. We wrote about all kinds of things, one of which was my fear of flying, as the Sunday Times wanted me to go up in a tiny two-seater Cessna to cure my fear of planes.
I told S. John that Anaïs Nin once said, “Life shrinks or expands in proportion to one’s courage”, and that this quote was helping me. In response, he wrote me a wonderful email which used another Anaïs Nin quote: “And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” He then added: ‘That’s a day to seek out, to strive for.’
So when I was asked to take part in a photography project, holding a quote that meant a lot to me, I used S. John’s. I also went up in the Cessna, clutching a sweaty printout of S. John’s email, and had my article about the experience published in the Sunday Times’ Travel section a few weeks later. It was my first ever article for them.
Sadly, S. John and I stopped writing around six months later. It was my fault: I was having a major nervous breakdown and just stopped emailing him without any warning or explanation. He was very hurt, but I hope he knows now that my mental illness was the true reason and not an excuse.
These days, we keep up with each other on Twitter. He’s at @SJohnRoss and is a super-smart and talented guy – as well as creating numerous fonts (which is no mean feat) he also makes role-playing games for a living.
I feel lucky to count him as a friend – and Sandra is a very lucky lady.
This post has been made possible by my awesome Patreon supporters Ricky Steer, Marc Alexander, Chris Birkett, John Fleming, Mary Clarke, Matthew Sylvester, Brian Engler, Jack Scanlan, Dave Nattriss, Musical Comedy Guide, Mark White, Lucy Spencer, Shane Jarvis, Graham Nunn, Emily Hill and Marcus P Knight.
They receive a whole host of exciting rewards in addition to this credit, including my secret never-published fiction and top secret photos! If you enjoyed this post, please support me on Patreon.
Rewards start from just $1 a month, which is 85p in real money and gets you access to my weekly Patreon email. It’s like this blog, but EVEN BETTER!