Why my daily blog is going weekly

Sorry to all you lovely regular readers, but this blog is now going weekly because my life is insane (in a good way) at the moment. To give you an example, on just one afternoon this week, my schedule goes:

2pm: Job interview for great job I really want (fingers, toes and eyes crossed)

3.30pm: Meet the very funny Jon Holmes and record his comedy podcast The The One Show Show (which may well jeopardise my chances of ever being on The One Show again)

6pm: Watch my daughter’s drama school play Beauty and the Beast (she’s a bit grumpy as she wanted to play Belle but has the tiny part of Bookseller. At least she’s not the Beast!)

7.15pm: Dinner with friend I haven’t caught up with properly for over ten years (I’m cooking)

Other things I’m doing this week: interviewing the wonderful Richard Osman and Emma Gannon (separately) for my next book How to Live to 100; genning up for job interview and having hair and eyebrows done and laying clothes out and ironing them (of course); pitching a load more Daily Mash stories; ferrying my daughter back and forth to drama school (four whole hours of travelling per day!); making my daughter’s packed lunches plus breakfasts and dinners; shopping for dinner with friend; watching three episodes of The One Show in preparation for Jon’s podcast; etc etc.

So pulling blog posts from my overloaded brain and typing them up is quite tricky with all that going on. But I have really enjoyed these seven weeks of blogging daily. Thank you for reading and I hope you’ll check in here once a week from now on.

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What it’s really like appearing on the radio

After I blogged about what it’s like doing live telly, lovely Twitter follower @mrjacktanner asked if doing live radio is different:

So here’s the answer: in my view, doing live radio is far easier than doing live telly, because no one can see you. You could literally be scratching your arse throughout the whole segment and no one would know. Of course, as it’s live, there’s always the chance that you’ll inadvertently say something stupid, which can give rise to nerves.

If I’m at the end of a phone line or alone in a separate studio (and not actually in the studio with the presenter), I generally get around this fear by writing down exactly what I’m going to say – or, at least, having a few pages of notes in front of me, because you can never predict exactly what questions you’re going to be asked. If I’m in the studio with the presenter, then I don’t take in the notes – I just prepare and rehearse beforehand and hope what I’m saying makes sense.

There’s not really much in the way of rigmarole when it comes to doing radio – you enter the studio quietly, making sure your phone is on silent, sit down at the desk, put your bag underneath it, put the headphones on and come close to the mic. Make sure you have some water nearby in case you have a coughing fit. If it’s before the show or the adverts are on or some music, the presenter will greet you; if not and they’re talking, they’ll just nod and smile at you. Your view of them can be blocked by monitors or mics, but you should be able to wheel your chair around for a better view.

I’ve done lots of radio in my pants on the end of a phone line (LBC in particular have lots of phone-in guests) and have also done radio in a studio by myself. It’s much more fun and glamorous when you’re in the studio with the presenter though. The last time was a couple of weeks ago on BBC Asian Network with Mobeen, talking about my experiences of cyberflashing and what we can do about it. It was the hottest day of the year and the New Broadcasting House studio was air-conditioned, which was very pleasant indeed!


Generally, radio is a lot more low-stakes because of the lack of visuals and the lack of budgets. At my level, you rarely get paid for radio appearances, and nor do you get taxis. (It’s ironic that the more successful you are and the more money you have, the more you get!). During the Atheist Bus Campaign, I was asked to appear on a popular radio station halfway across town, and a celebrity friend suggested I ask the producer for a taxi. So I did, and was met with the coldly-asked question: ‘Do you have mobility issues?’ That put me in my place!

Another time, I was asked to do a few drafts of a page-long radio script and then come into a central London studio and read it out – so a day’s work, in effect. The princely sum I received? £66!

At the same time, radio can be a lot of fun. One of my favourite memories is appearing on Talk Radio’s The Ian Collins Show back in summer 2009, which basically entailed two hours of on-air flirting with Ian. I managed to relax, and the result was lots of witty repartee. We actually met up a few weeks after that, but by then I was dating Lily’s dad (though she was only a twinkle in his eye at that stage).

I was also interviewed about the Atheist Bus Campaign by George Galloway on Talk Radio in 2009. He was quite nice, despite not hiding the fact that he was a believer, and finished the interview by saying in his Scottish lilt, ‘Ariane, I hope you see the light very soon!’. I was going to make a quip about there being a lamp post outside, but I didn’t.

My most starry radio appearance was on Radio 4’s Loose Ends last October, where I promoted Talk Yourself Better. The show was presented by the wonderful Arthur Smith and Clive Anderson, both of whom I managed to convince to be in my next book, How to Live to 100. As a telling sign of a great show, there were pastries galore in the green room!


I was on that episode of Loose Ends with lovely Hollywood actress Andrea Riseborough (who starred in the brilliant but terrifying Black Mirror episode ‘Crocodile’) as well as Northern Irish actor Colin Morgan and US million-selling author Michael Connelly – and music from British rapper Kojey Radical. It’s fair to say I was definitely the smallest fish in that pond! We all sat around the table together (except for Kojey, who was performing) and went for pizza afterwards, and Andrea emailed me a free download link to her new film Nancy. You can listen to the show here.

Lastly: in early 2009, I got to make radio history by giving Radio 4’s first atheist ‘Thought for the Afternoon’ on the iPM programme. It was considered such a big deal that it got its own Guardian news story, though they did describe the Atheist Bus Campaign as ‘controversial’. What is the world coming to when ‘There’s probably no God’ is seen as controversial in the UK, where at least 52% of the population is non-religious?!

You can hear my Thought for the Afternoon below. (They describe the campaign as controversial too, but then R4 are more old school.)


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